Welcome to the meandering musical insights of Aaron Joy (me!), formerly known as the Roman Midnight Music Blog. Here you'll find nearly 750 reviews of CDs & DVDs of rock & metal in all its variations, mainstream & indie, good & bad, U.S. & foreign. A new review every Monday.

Please share these reviews & feel free to copy them to your website or link to them. No downloads to be found here.

Are you a musician with an album?? Please e-mail me (aronmatyas @ hotmail.com) your album, EPK, etc. Or, hit me up for a physical address (I'm in Portland, Maine). If you don't have an EPK, I have a soft spot for personal handwritten letters from the local musician who just plays around town. I'm a bassist & do this blog partly to share music I love & partly to help the little guy, like myself, just looking for some attention. Promo companies are always welcomed to reach out.

You can support this blog by buying my books via amazon, or your local bookseller, or seeing my website www.aaronjoyauthor.weebly.com.
Showing posts with label black tongue. Show all posts
Showing posts with label black tongue. Show all posts

May 28, 2021

Black Tongue ~ Nadir (album review) ... Metal never sounded so vicious!


Style: sludge metal, heavy metal, doom metal
Label: self-released
Year: 2018
Home: Hull, England

Members: n/a


I earlier reviewed Black Tongue's debut Falsifier. I enjoyed it's arrangements & fierce sound so much that when my eye came upon this second album by them I wanted to hear it. Coming 5 years later this is a full length, versus the 22 minute debut EP. How does the double length album of 10 songs, including a cover of a Celtic Frost song, hold up? The band remains a gigantic beast of sludgy doomy proportions. I said in the earlier review that they had a dropped tuning that is so heavy it causes the earth's orbit to wobble. They haven't lightened up any, so if you like the sound of their debut you'll hear more of the same here. I'd also previously commented that I liked the arrangements, which really stood out for me as making Black Tongue unique. I don't know if this is the same line-up, but its obvious the same care has been put into making this just as much a great musical  experience as their debut. Yet, its not exactly the same. They've stretched out a bit, quite literally, as they explore the slow deep menacing end of their sound. They've kept to what works, but also tried to find ways to make the most out of their sound. Thus, what comes across as a mold of limited variables is pushed to the limit. At times are slow gloom that crawl like a zombie ("The Eternal Return To Ruin"), while other times its a thrashy onslaught ("The Cathedral") that reminded me of a heavier Satyricon. Black Tongue is showing you all sides of their personality here & its a surprise with every song. I particularly like how they've doubled up on the vocals ("The Eternal Return To Ruin", "The Cathedral", "Crippled Before the Dwelling Place of God"), even with moments where lines are spoken ("Black Fawn Temple"). Its an effect that adds a great layer to this monster, let alone accentuates the agony of the lyrics. A perfect addition. "Second Death" I recommend to anyone who likes brutal metal that is actually quite frightening in a way comparable to Cradle Of Filth. I think its all in the vocals, but seriously what ever they are doing it works. To return to the beginning of this review, this album might be longer but its not a disappointing. Every minute is a pleasure. This is a must hear. Your ears will thank you, if they aren't traumatized by it. Also, to note, they cover Celtic Frost's "A Dying God Coming Into Human Flesh" from 2006. I am not familiar with their music, but hunted up the original to compare. This is a great cover. Or, let me rephrase that. This is a cover? They've done a great job duplicating the song, almost like its Celtic Frost doing an early version of the song or a demo. I was impressed when comparing versions. On the whole, the track is very different from the other songs on the album, making it feel more like a bonus track than part of the cohesive whole. I wouldn't mind hear more of this side of the band, or even letting this cover inspire them as they make new music.

April 29, 2021

Black Tongue ~ Falsifier (EP) (album review) ... The fierce sound of gravity if gravity had a voice!


Style: sludge metal, heavy metal, doom metal
Label: self-released
Year: 2013
Home: Hull, England

Members: n/a

I have a soft spot for sludgy doom metal that crawls like Leonard Cohen & has a dropped tuning that is so deep I swear the earth's orbit is wobbling with every note. You know, the type of heavy tuning which can be defined as the sound gravity would make if it had a voice. Or, where I'm glad this is a 22 minute EP as surely something must be happening to my brain while listening. Music this heavy is almost mystical. If you can read between the lines, then you see I'm essentially recommending Black Tongue's debut. Six doom-laden songs have the distortion cranked so high & the chords are just ringing out letting every note breathe that this feels like a musical tightrope. Or, to put it another way, I'm reminded when I saw the legendary Oregon rockers Dead Moon in concert. The trio played for 45 minutes without taking a break & appeared, if they weren't actually, so tanked up on some illegal substance - or there was so much they'd taken in the past that it was never going to leave their bodies - & their playing so focused on the moment that I expected to see any of them drop dead at any minute from a sensory overload. This is the memory coming back hearing Falsifier. Its a good memory & was a great show. I may have a soft spot for sludgy doom, but this band really stands out compared to other groups. This is not just speedy over-driven thrash, but really well planned & orchestrated songs that go through a variety of moods. I really like the drumming which stops & starts with different approaches, sometimes even just a few tom & cymbal hits. The drummer doesn't rely on just double bass playing as the beat, but the technique is wisely one of many approaches. It changes the whole dynamic as the drums are the secret backbone of every band's groove. By pulling back the rest of the band is allowed to breathe & do they ever in ways I can't describe. I can only say the ringing sounds of distortion are an additional member of the band. Everyone is given their chance to shine. There's even some eerie keyboards that create a great ambiance underneath the guitars in just that perfect under-stated way. The only thing I don't care for is the guttural vocals where only the random word do I understand, but I know this style of vocal sorta comes with the territory. Those who follow this blog know that I almost always push back on this singing style, as I love melodies & lyrics. Yet, the songs here are so well composed & orchestrated that the vocals are more than just an additional sound that becomes distracting, which is often what I hear. The guitars & vocals work together instead of each trying to compete for space. Thus, I'm putting Black Tongue into the small group where I like this vocal style, alongside the Militants, Arch Enemy & Lacuna Coil. By the second listen I didn't even mind them so much. Though, for the record, the lyrics they have posted on facebook for the album are worth reading as the singer rants against a failing world & broken relationships in ways I wish I could hear on Falsifier. In opening track "H.C.H.C." he partially rants: "We let the anger flow/Straight through our veins/This is the City of Hate/No youth, the lost soul state/We are bred in fear/And prepared to fight tooth and fucking nail/Against our enemies of truth/It didn’t have to be anything close to this/How many lies can we be fed until we’re sick?/The taste of betrayal and deceit/I hate these city streets/Paved with fucking lies/Kids without direction and hollow eyes/This is the city of hate (of hatred)/We are the lost/A dead city of forgotten people". This man is angry, but he also makes some great points totally relevant to the world around us. I can't recommend this band enough!