Welcome to the meandering musical insights of Aaron Joy (me!), formerly known as the Roman Midnight Music Blog. Here you'll find nearly 750 reviews of CDs & DVDs of rock & metal in all its variations, mainstream & indie, good & bad, U.S. & foreign. A new review every Monday.

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Showing posts with label allman brothers band. Show all posts
Showing posts with label allman brothers band. Show all posts

December 19, 2012

The Allman Brothers Band ~ Live At Great Woods (DVD review) ... Gregg Allman's guitar is my spirit animal!


Style: classic rock, blues-rock
Label: Epic
Year: 1992
Home: Georgia

Concert location: Great Woods, Boston, Massachusetts
Year Recorded: 1991
Length: 90 minutes
Bonus Features: none

Members: Gregg Allman ~ keyboards/acoustic guitar/lead vocals
Dickey Betts ~ guitar/b. vocals
Butch Trucks, Jaimoe ~ drums/percussion
Marc QuiƱones – drums/percussion/b. vocals
Warren Haynes ~ guitar/lead vocals
Allen Woody ~ bass/b. vocals

Guests: Robbie Robertson ~ host


When we talk about the white boy blues & blues-rock bands of the past that brought the blues to the mainstream, some have stuck more to the blues & others have blurred the lines between what it means to play the blues, while others have just gone rockin' without looking back. Eric Clapton has played the hardcore drooling blues more often than not, or at least it feels that way even when he's at his most Kenny G, the Rolling Stones have forgotten the blues though at one point that's all they did, while Jimmy Page took the blues firmly by the rock horns or gave it rock horns yet without losing sight of where he came from. The ABB might be a leader in the category of blurring the line the between blues-rock without going in either direction as far as Page or Clapton, but yet not totally at home with blues purists & certainly you won't find them in the blues section of the music store ... if you can even find a music store to verify this. If there's a white boy blues band out there that's continuously had success without too much musical variance & continuously shown why they're leaders in their field, even with regular membership changes, it's the ABB. Let alone, they're both a great band & the home to some great individuals, particularly the late slide king Duane Allman but more recently two thirds of third generation blues rockers Gov't Mule. But, we shouldn't pinpoint the individuals to the detriment of the whole. The duel drumming Grateful Dead feel is as necessary to the musical landscape as any of Dickey Betts solos ... & anyone who said that someone over 30 can't rock need only watch Betts soar in another land with more gusto than guys half his age, including bandmate Warren Haynes. This hour long concert was part of the ABB's tour for their second comeback album Shades Of Two Worlds & originally was filmed so a couple songs could get on Japanese television. The band decided to release the entire filmed concert. The late Duane Allman might be the eternal face of the band for many, but as I've previously written in this blog, don't give up on the ABB because he's gone. He was not the only thing about the ABB to pay attention to & I often get tired of the fact that it often seems that way to the detriment of a lot of other great players, including his own brother who still plus away behind the often uncool organ. This is about as blues as blues-rock can get without going into the deep end ... actually, it does go into the deep end as the band let their solos carry them away. But, while blues solos often soar leaving the band behind or become show-off-ish, there's none of that pretentiousness here as this is firmly a band moment & not a soloist's gig. Never once does one tire of a solo that's gone on too long or showed off too much. There's also a decent mix of classic standard blues (for example, "Hoochie Coochie Man"), classic ABB songs (for example, "Statesboro Blues") & two contemporary songs that fit perfectly into the mix ("End Of The Line" & "Get On With Your Life"). For those thinking the ABB is nothing without Duane or not a valid entity beyond the nostalgia circuit this video, though it might not be the definite choice for some fans due to its lack of liner notes, the music fully speaks for itself about how great these guys continue to be. The band turns in a blistering set with top-notch performances that any band would have a hard time beating. Of course, today, every blues-rock band sounds like the ABB ... or maybe they now sound like every blues-rock band ... but once-upon a time they were 'the' blues-rock band & considering only three of the faces onstage are not original members one will see what being 'the' blues-band means after only a song or two. The rest of the show is just constant verification. They're as gritty & inventive as ever & even feature full-on acoustic renditions, even with Gregg Allman is on guitar, of "Blue Sky" & "Going Down The Road". The band has gone through a plethora of membership changes, but this post-reunion line-up is a particularly vibrant movement in their long life making this video stand out from the crowd in some ways. No bonus features except for the option of having the lyrics appear, which few will probably require. Included periodically throughout the show is interviews with Betts, Allman & Haynes discussing the writing of some of the songs & their influences. The only problem is the interviews come during solos in the songs.

February 10, 2012

Allman Brothers Band ~ Mycology: An Anthology (hits comp) (album review) ... Where it all begins!


Style: country rock, blues rock
Label: Epic
Year: 1998
Home: Georgia

Members: Gregg Allman ~ keyboards/acoustic guitar/lead vocals
Dickey Betts ~ guitars/lead vocals
Jaimoe, Butch Trucks ~ drums
Warren haynes ~ guitars/b. vocals
Allen Woody ~ bass/b. vocals
Marc Quinones ~ percussion
Johnny Neel ~ keyboards/b. vocals
Duane Allman ~ lead guitar
Berry Oakley ~ bass


This is so unexpectantly good I ended up giving it away as a gift ... if that doesn't say something what more do I need to say? I picked this up purely out of curiosity & I'm glad I did. Most people probably won't turn to the 90's when it comes to checking out or revisiting the ABB catalog, if folks even realize they were still recording in the 90's. This littles ten track collection aims to change that by gathering highlights of their 90's output on Epic. & according to reviews of the albums it does indeed gather the highlights, though the selected songs are but the tip of the iceberg & there are many that could easily be included here. As the band didn't have a lot of major commercial hits in the 90's, as compared to their peak 70's days, this collection just lifts a couple tracks from each album to give a short & sweet taste that is meant to inspire further exploration of the individual albums. It doesn't pretend to be comprehensive, nor does it focus on one album to the detriment of another, a common problem with hits collections. Two tracks apiece are culled from their strong bluesy comeback "Seven Turns", the improvisational heavy yet reflective "Shades Of Two Worlds", & the reflective "Where It All Begins", plus single tracks from "An Evening With The ABB" & "An Evening With The ABB: Second Set". For those not familiar with later era ABB this collection will immediately get you yearning for an additional ten tracks, if not to go to the albums themselves. It also includes two bonus tracks in a live acoustic rendition of "Midnight Rider" from 1992 & "Every Hungry Woman" live from 1970 featuring the late Duane Allman, previously unreleased. They're welcomed but sound a bit out of place as both disrupt the flow & lack the clean studio sheen, but a greatest hits collection always needs something for the old fans to buy it. The songs here might not be familiar to the casual listener but if you like the ABB of yore there's no way you can go wrong with this as the feeling is still there along with their identifiable mix of blues, country & rock. In many ways this doesn't sound like a collection of 90's tunes but a remastered collection of 70's band. Slide guitar king Duane Allman might have died but the band kept on making great music that shouldn't be ignored because of his death. He might have been a strong part of the sound but he was actually just a part of the bigger picture at the end of the day. The blues number "Good Clean Fun" opens the album with the chorus "looking for some good clean fun". This could be a summation of the ABB experience via the later days. It's fun & the songwriter remains as strong as ever & these songs can easily be held up against their more famous hits. ABB churn out the blues as strong as any white boy band & will have you playing air guitar along with their endless cascading & intertwining solos. For those who only know the ABB from their 70's heyday & see them as forgotten has-beens it's doctors orders to check out this album & get up to date. They never stopped creating & there's no reason to stop listening. After hearing this it'll only be sad to discover that they would only do one more studio album in 2003, Hittin The Note, sans Dickey Betts, & it ended up being considered one of their best in two decades ... but time had already moved away from them & relegated them to the nostalgia backyard swamp heap.