Welcome to the meandering musical insights of Aaron Joy (me!), formerly known as the Roman Midnight Music Blog. Here you'll find nearly 750 reviews of CDs & DVDs of rock & metal in all its variations, mainstream & indie, good & bad, U.S. & foreign. A new review every Monday.

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Showing posts with label rush. Show all posts
Showing posts with label rush. Show all posts

September 1, 2013

Rush ~ Snakes & Arrows (album review) ... This will give you a rush!

Style: prog rock, classic rock
Label: Atlantic
Year: 2007
Home: Canada

Members: Neil Peart ~ drums/percussion
Geddy Lee ~ bass/mellotron/vocals
Alex Lifeson ~ guitar/bouzouki/mandola/mandolin

Additional: Ben Mink ~ strings



For anyone that thinks Rush is just a leftover band from the 70's, not just do these people not know their music history, but they also haven't heard this album from 2007. It may not be the first Rush albums folks talk about, but for a later era release this is a must own ... & I say this as someone who enjoys Rush but isn't a fan & doesn't listen to them a lot. It doesn't have any radio hits, those days are long gone, while some may say if you've heard one Rush song you've heard them all as outside flirting with keyboards in the 80's Rush has never varied its sound too much nor had the change in membership that causes a band to change in such way. So, if you like what you've heard from Rush this won't be too much of a surprise, yet while the classic hits every knows are indeed classic in their feeling there is nothing musically nostalgic here nor sounding out of date. It feels like Rush, it's got all the trademark Rush quirks, but sounds not like a band rehashing or tire but as in with the times as any band can be, or any prog rock band can be which is a lot more than one might think as the 3rd generation prog scene is a thriving international one. The guitars grind, distort, solos careen, the bass is heavy & busy. The end result is a prog album of epic proportions that just touches on the prog-metal arena, while being epic without being mind-numbing or over-the-top or unfocused. Drummer Neil Peart's lyrics continue to be what we know them for - heady, full of historical or cultural references & as complex as the music, while he also turns in a lot of heavy drumming that helps give this a harder edge than a lot of classic Rush albums have had. This is a dark album lyrically & the music reflects that. Though, it's heavily overdubbed & the bass sometimes gets lost which is a shame, while chorus's don't always jump out at the listener. It doesn't have the sing-a-long hits like the old days but provides a musical experience that those hits don't have. It's almost amazing that a band like Rush has been able to steadily keep sounding relevant when so many of their peers haven't or tried & failed. Few bands have a career like Rush & hearing this album makes one want to go out & buy a biography of the band. While some old fans might not like the harder edge of this album, which is understandable, it's really hard to find any major flaws here & the band has done much worse. There's a couple weaker tracks, but they do little to deter the power of the album on the whole. This would be their last studio album until 2012, followed by numerous lives albums including a two album set from the Snakes & Arrows tour.

August 5, 2010

Rush ~ Feedback (EP) (album review) ... Remembering the past!


Style: progressive, hard rock, tribute
Label: Atlantic
Year: 2004
Home: Toronto, Ontario

Members: Geddy Lee ~ bass guitar/vocals
Alex Lifeson ~ guitars
Neil Peart ~ drums





Until I came across this album I never expected to hear anything so straight ahead a la traditional rock from prog-rock icons Rush. & yes, they really do play straight ahead rock here, not turning this tribute album of covers into mystical prog rock renditions. For eight songs they they step out of their Rush shoes & humble themselves with the music of the past. As for what they're rockin' on, this EP features the Who's "Summertime Blues" & "The Seeker", the Yardbirds's "Heart Full Of Soul" & "Shapes Of Things", Buffalo Springfield's "For What It's Worth" & "Mr. Soul", Cream's "Crossroads" & Love's "Seven & Seven Is." Did you ever expect to see Buffalo Springfield, Love & Rush all in the same mix? This album was released in honor of Rush's 30th anniversary. While most other bands would release a box set, greatest hits collection, a studio album with a reunited 'classic line-up' Rush decided to do a tribute to past bands they liked. Geddy Lee, with his trademark falsetto, can't sing like Roger Daltrey, Keith Relf or Jack Bruce & doesn't even try, while the Yardbird's "Heart Full Of Soul" sound more like something out of the solo years of George Harrison. But, when the interpretation works it nearly rivals the original, or at least takes it for a run. "Crossroads" is a real highlight with some dirty blues playing you wouldn't expect from Lifeson rivalling Clapton's original lines. I often find covers albums more often disappointing than not with the remake a bland imitation, or a nearly exact imitation, if not a completely disturbing imitation. I want to hear a band put their stamp on a famous song not imitate. I always have felt Marilyn Manson gave "Sweet Dreams" the life that it was lacking while we've completely forgotten that Soft Cell's gay anthem "Tainted Love" was originally a disco hit by a now Christian preaching black woman. Rush knew what they could & could not do (i.e. Lee's unchangeable vocal quality) but worked with the songs not against themselves. They played a tribute to Clapton, not tried to be Clapton. Even though it's not a typical Rush album & Rush fans, believe it or not, might not be able to listen to it because it's so different, it boosted my respect for the band. Not just do I find the idea of a tribute album as an anniversary album interesting but also their choice in bands to cover. It's great seeing the underrated Love alongside the Who. Rush gets categorized as having a limited prog sound but this EP is just another demonstration of how that's not true. This is the Rush you didn't know existed & it makes them way cool now that you do.

March 15, 2010

Rush ~ Moving Pictures (album review) ... Rushing into the 1980's!

Style: progressive rock, hard rock

Label: Mercury
Year: 1981
Home: Ontario, Canada


Members: Geddy Lee ~ vocals/bass/organ
Alex Lifeson ~ guitars
Neil Peart ~ drums/percussion

Additional: Hugh Syme ~ synthesizers
 



Moving Pictures
is the spotlight album for many Rush fans & I would agree. It manages to include some very commercial songs ('Tom Sawyer' & 'Limelight') but also includes a stellar instrumental ('YYZ') & some non-chart toppers that almost make the aforementioned songs seem like filler. It's also a good mix of the oncoming '80's New Wave with hard rock but yet staying within the known heavy prog Rush sound. What's interesting is that both New Wave & hard rock were in development at the time this album would be made with both trends coming into their own within a few years. It's hard to say if the styles influenced Rush or if Rush influenced the styles listening to this album. Sadly, Rush would go on to have too much keyboards in the mix in forthcoming albums, but Moving Pictures is the perfect moment for a band to show who they were & who they could be & bringing in the best of all influences in a fusion that would make other bands jealous. Until hearing this album I always thought all Rush songs sounded the same, which might have something to do with Geddy Lee's tenor, but that would be a large misjudgment of a great band. If you don't know Rush this is a good starting point. What started as curiosity now is pushing me to listen to more of their albums.