Style: progressive, hard rock, live, classic rock
Label: Disc Live
Year: 2004
Home: n/a
Members: Ray Manzarek ~ keyboards/vocals
Robby Kreiger ~ guitar/vocals
Ian Astbury ~ vocals
Angelo Barbera ~ bass
Ty Dennis ~ drums
Guest: Waylon Kreiger ~ guitar
This is an excellent surprise from a reunited Doors, or half the band sans drummer John Densmore & obviously Jim Morrison & now under the name Riders On The Storm, having faced a copyright lawsuit under the original moniker of The Doors Of The 21st Century, now with a bassist & Ian Astbury of the Cult behind the mic. Some people will criticize the reunion of such a classic cult band whose sound was so tied into the drug culture of the 1960's let alone so dependent on the self-indulgent poetry & dramatic antics of Morrison, let alone his youthful natural charisma. Plus, reunions have often proven themselves short lived affairs that didn't live up to expectations & should have been left as an idea on paper. Honestly, ROTS encompasses all the positive & negative traits of similar reunions but somehow managed to create something that didn't hurt anyone's careers or reputations, excelled expectations, made some great music that went beyond nostalgic romps, didn't try to recreate the past when it couldn't & had a good healthy run before going into the disturbing territory of making new music when the gig is essentially a nostalgia/tribute act. First off, this three CD release is a small press live recording, like all ROTS releases, that features many classic songs plus the entire
L.A. Woman, the final recording with Morrison that was never performed live as it wasn't finished till after his death. So, this is quite a treat, regardless of the fact that the band really lets loose with high energy in this New Years concert that even brings in guitarist Robby Krieger's son to jam with the band when the calendar turns. Musically, the first thing one notices is that this is the not a quartet but a full guitar/bass/drums band. This might be a detriment to the sparse sound of the Doors, but one must remember
L.A. Woman featured such a line-up & would have probably been the direction the band would have gone if given the chance, so this is really picking up where the band left off versus the now clean/sober band recreating earlier drugged out days & turning themselves into a tribute band not a creative entity on its own. Another musical change, albeit less noticeable but when it is the change is an undeniable big one, is the absence of drummer who chose to instead tour with his jazz band. Densmore is a jazz drummer who kept time as much as he added a new layer of spontaneous sounds, while his replacement is a straight ahead rock drummer. It would be interesting to hear Densmore in this context. But, as one notices the tighter drummer one also hears the more mature guitar style of Kreiger. He's always had an angular playing style that encompassed flamenco, classical & rock elements, but after 40 years of largely playing rock music he's not just a better & more fluid player but also more rock sounding, let alone no longer under the drug influence. It's almost embarrassing to say that its a problem he became a better guitarist, but that's the response many listeners will probably have. But, the problem really isn't with Krieger because his playing is as hot as ever, if not more, but the particular sound of the Doors is so ingrained in our ears that to hear different is a struggle. It's a wall incredibly hard for the musicians to climb over no matter how they play. As for other original member Ray Manzarek ... he has also changed in his playing, but the most noticeable difference is that with a full rhythm section he's no longer tied to playing bass notes so ROTS actually allows him to branch out in ways he never got to previously as one hand was always tied to the low end. As for the vocalist ... the real focus of the band & where the whole project could fail ... The Cult's Ian Astbury is a wonderful choice that many were critical of when ROTS started but through some amazing performances built up glowing respect & has become almost as irreplaceable & charasmatic as Morrison. I know I started listening to the Cult after hearing him here. Krieger & Manzarek could have chosen someone completely different than Morrison, as Queen did with Paul Rodgers, or gone with someone similar. There's good & bad points about each direction. Choosing someone similar was a good decision, though Astbury is spookily similar both visually & vocally. I played this for one person & they actually thought it was an old concert of the Doors. It's almost as if Astbury intoning the spirit of Morrison & helps out towards making this sound like the Doors never split & Morrison had grown old with the rest of us. Krieger & Manzarek know the tightrope they are walking bringing back the past, which is probably why much of the reunion has been done on their own modest terms & not plastered across billboards & magazine covers, which is what many reunited bands do only to have the disappointment kick them on the way out. There is no question ROTS is a band having fun & not taking itself too seriously. It helps that they chose not to write new material & try to link it to the past. That's where reunited bands often go wrong. Page & Plant, The Who & Queen with Paul Rodgers have all suffered from this mistake. ROTS has since disbanded and are now the Manzarek-Krieger Band, which allows them to mix together old & new music & not step on the past or limit themselves to the nostalgia umbrella. But, for a time they let the nostalgia flow & it's well worth hunting up. As it is, the critical points to the band just make the story of the band more interesting because the music was & remains untouchable.
Former Sex Pistol Steve Jones solo? I'm not a Pistols fan & have never listened to anything any member has done outside the band, not even PiL, but why not give Jones a listen & change this trend? The Pistols are iconic & given how different Johnny Rotten's music was post-Pistols. what might another member sound like? To top it off, the backing band is the drummer of the Cult, plus guests in their guitarist & singer. I'm hooked, as I'm a fan of Ian Astbury & company, who also produced the album. So, what have I found? A great rock'n'roll gutsy & gritty album I highly recommend checking out! Jones doesn't necessarily have a sound of his own, immediately recognizable, so what he crafts sounds like other bands ... but he's chosen well! I'm reminded of the bluesier end of the Cult, Ian Astbury's backing vocals absolutely contribute to this, meets the gritty street smart rock of Glenn Danzig without the glam elements, with the in your face playing of Ace Frehley, & just a touch of the energy of the Stooges. The outcome is non-pretentious good old fashioned gutter rock'n'roll. So few bands play this, as they aim for proficient technical playing over rawness, flash over guts. This album struts & grooves with a 'fuck you' attitude that few guitarists have. Is this a well-polished album? Not particularly. Its rough around the edges & borrows from here & there with abandon, even covering David Bowe's "Suffragette City". The riff of "We're No Saints" could be AC/DC. "Trouble Maker" is absolutely Brooklyn's metal trio Tired Wings. The chorus of "We're No Saints' & "Freedom Fighter" sound like the Cult stripped down, with a crazy noisy solo on the later. Yet, Jones takes it all in & makes his own, spewing out the flash & just keep the thrusting 'fuck you' action. This is very much rock'n'roll at its most basic, primal, & maybe the way its meant to be heard. Also, he covers the Sex Pistols' "I Did U No Wrong" with Axl Rose on the vocals. It sounds like early Guns N' Roses a la G N' R Lies. Axl is sloppy, a bit annoying, but rocking out like nobody's business in a way he stopped himself from doing in the highly polished Guns N' Roses. This is Jones' second solo album, & from other reviews I've read this his only outing sounding like this ... & his best solo album according to many. Listening to this as a bassist, I realized this is the type of rock I'd love to play in a band! Coming to Portland anytime soon, Steve? Likely ... not ... but do check out Steve playing solo guitar on his Instagram. The guy is totally cool.
