Welcome to the meandering musical insights of Aaron Joy (me!), formerly known as the Roman Midnight Music Blog. Here you'll find nearly 750 reviews of CDs & DVDs of rock & metal in all its variations, mainstream & indie, good & bad, U.S. & foreign. A new review every Monday.

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Showing posts with label a ghost like me. Show all posts
Showing posts with label a ghost like me. Show all posts

December 8, 2011

A Ghost Like Me ~ The New Paradigm (album review) ... Space rock forging a new paradigm!


Style: instrumental, progressive, space rock
Label: self-released
Year: 2011
Home: North Carolina

Members: Brad Rogers ~ guitar/loops
Key Andrew ~ bass/flute
Eric Ernst ~ drums
Dave Milan ~ keyboards/guitar
A few minor line-up changes & a lot of hard work sees instrumental space rock/prog-rockers AGLM completing their first full length album. I reviewed AGLM a year ago & was honest in my thoughts about the difficulty of instrumental rock albums. I also described their EP as a missing Hawkwind instrumental album with Bill Laswell in the producer's chair. I noted how AGLM tackled the difficulties of instrumental prog-rock by aiming for under-playing rather than focusing on heavy flashy guitar solos. At the time they were also in the midst of discovering new musical directions with a new line-up, since changed, so I was reviewing a band in change. It's interesting to now return to their side & see how the trek through the time tunnel was. The outcome is an unexpected musical walk through the soul of the world with cosmically inspired songs as "lucis ressurectio", "The Cleansing", "Japan", "Duality", "omnimadus divinus navitas", "Threshold", "Song For Gaia" & "Awakening". The New Paradigm is more than a catchy title as the paradigm in question is the state of the Earth on a spiritual level ... not just social which is the common focus of bands these days. Of course, being instrumental the details are left to the listener to ponder. Is there such a thing as space rock left, particularly space rock with a cosmic message? If so, what is space rock three decades on since prog-rock ceased to rule the airwaves? It's a welcome mix of groove rock, alt rock, funk, dub, jazz & electronica ... it's also the experience of a band that started as a recording project & moved to a live band. It's a tight funky affair that gets rid of wandering moments. AGLM have grown up since the last time we all met. They've honed in their sound & also pushed themselves musically into new directions & audio experiments. If my description of a socially conscious space rock band puts you off I can only blame myself for not having the vocabulary suitable to properly describe the AGLM experience. They still under-play but have also put more guts into their music. There's lots of guitar solos (for example "Bridging The Gap", "Hi Phi", "Japan") but they are more a part of the bigger musical collage than a fanfare of notes with a boring rhythm to play over. Also, don't expect to music to be a weird esoteric mix. They may call themselves space rock & they are without a doubt modern prog-rock but this is grooving space rock, think Hawkwind not the moody wanderings of Yes or Pink Floyd. AGLM create a hypnotic atmosphere without sounding too technical or forcing the mood which is often what happens with prog-rock while the songs meander & change never getting boring or pointless, with the dub influences as backgrounds not the focus. While there's also bits of world rhythms in here (i.e. "Song For Gaia", "lucis ressurectio", "omnimodus divinus navitas") & an array of sounds tinkling away that will take lots of listens to fully discover.

March 24, 2011

A Ghost Like Me ~ A Ghost Like Me (aka debut) (EP) (album review) ... Enjoy this musical cleansing!


Style: instrumental, progressive
Label: self-released
Year: 2007
Home: North Carolina

Members: Brad Rogers ~ guitar/synthesizer/loops
Key Andrew, Dan Rosado ~ bass
Mike Rosado ~ drums
Eric Earnst ~ drums/percussion
Tommy Hunt ~ cello

Instrumental rock is a tricky game to play, particularly if you're not a Yngwie-esque guitar slinger, as lots of bands funk, trip, rock & splash with great talent but due to the lack of a vocal presence fail to grab the listener. It's almost as if the secret is to not just show off one's technical prowess but also some creative prowess ... because having extended flaming guitar solos does not always equal creative. On their debut EP AGLM have tried to show their creativity by aiming for underheard progressive space rock, crafted something akin to a missing Hawkwind instrumental album. Or, more aptly, with the swirling keyboards in the background it could be Hawkwind meets Bill Laswell (i.e. "Threshold"). Though, having written that the second track "The Cleansing" might find a better home as a bridge in a tune by John McLaughin's Shakti with his low-key hypnotic repetition. "Duality" & "Just Be" follow the same hypnotic trail with a strummed guitar quasi-duetting with a cello only to launch into invigorated distorted Hawkwind choruses. The cello is a welcomed addition to the line-up adding an interesting layer to the mix. Some instrumental bands go for flash & pyrotechnics, but AGLM have gone an alternative route good for a laid back night with some friends & a little weed as the music softly floats into the air in no rush. "Threshold" & "The Cleansing" feature the rhythm section of brothers Mike & Dan Rosado to be replaced by Key Andrew, Eric Earnst & Tommy Hunt on "Duality" & "Just Be" but, except for a slight difference in production quality & the fact that Andrew takes things slower on the bass, which could be as much a reflection of the composition as his playing, there's little to distinguish the two line-ups. Actually, if anything the two Andrew-Earnst-Hunt songs sound more alike than different, particularly given the same slow pace & single note guitar playing, that back to back they sound like one eleven minute song. But, maybe that's the secret to disguising a line-up change. Since the recording of this debut they changed once again by adding a fifth member Dave Milan on keyboards & guitar. Though, there will be no disguising an additional guitar.