Welcome to the musical meandering insights of Aaron Joy. Here you'll find 600 reviews of CDs & DVDs of rock & metal in all its variations, mainstream & indie. What they all share is that the album or band is unique in some way & not every submission was reviewed. Please share these reviews or link to them if you like what you read. Reviews are no longer being posted here but feel free to e-mail Aaron & post comments. (Formerly the Roman Midnight Music Blog)

Sunday, October 24, 2010

Raymond Bally ~ Nature Of Love


(Click on heading to visit official website.)
Style: experimental, folk, new age, Swedish
Label: self-released
Year: 2009
Home: Sweden & New Jersey

Members: Raymond Bally ~ guitars/vocals
Hans Bally ~ guitars/b. vocals/keyboards/bass/percussion/sound effects

Additional: 70, Raymond Bally III ~ bass
Dennis Young ~ bass/percussion
Kevin Booth ~ b. vocals


A haunting slide guitar over an acoustic rhythm opens up this independent release by Raymond Bally. The folksy but gritty "Are You Afraid" that follows, with the sobering line "are you afraid/are you afraid of me", is the work of writer/singer Raymond Bally & multi-instrumentalist Hans Bally, unrelated, who met on myspace & live respectively in New Jersey & Sweden. The fascinating thing is that they've never met, getting physically no closer than a single telephone conversation, which makes this all that much more interesting a release. "I love you/I hate you/will you kiss me" (from "Will You Kiss Me"), "I call your name/floating further away/ nothing & no one to hold on to/Mother, where are you, where are you" (from "Echoes"), "I lay on her floor/unguarded ... it's nice down here/whatever you want to do is alright by me/I won't tell you how I feel/until its too late" (from "Unguarded") are some of the lyrics, from Raymond's pen, from this ten song collection but clearly represent the overall pyschologically shattered melloncolliness of this international musical effort. The electric guitars are often kept to a minimum, or lower in the mix then might be expected as the point is not for any instrument to shine but the entire hypnotic experience, instead opting for a foundation of acoustic guitars, albeit "Burning For You" is a distortion fest that could come out of early R.E.M. with "Echoes" not far behind. But, the acoustic foundation sounds anything but naked or cliche as the air is filled up with assorted twisted ambiatic sounds by Hans from an array of instruments that even include distorted vocal effects. The layered instruments turn what could essentially be seen as folksy songs into a haunting mix of tortured emotions where the music is far more than just a rhythmic backdrop but an extension of the lyrics with the best similiarity being in the some of the more intricate New Wave bands. "Ecstasy" is a particular highlight with long instrumental sections that bubble over into each other & taking dominance over brief echoing lyrics tucked into the mix with some great guitar playing that could by Trent Reznor if he went acoustic. While the album ends with the title track that's country guitar over some of the sparcest sounds yet including bird cries, organ & bongos & could have come out of the UK folk tradition of the 60's & provides a lovely near coda to the Raymond Bally. For linguistically simple but incredibly deep lyrics & a musical experiments full of unexpected twists Raymond Bally, who occassionally performs with his own band, has music well-worth checking out.

(featured on the Roman Midnight Music CD Reviews & Interviews podcast: episode 14 "Interview: Raymond Bally," March 2011, click here to listen)


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